2019戛纳影评人周入围很《日本一卡2卡3卡无卡免费》年度恐婚恐育影片消费主义背景下“只想要个家”的中青年恐惧具象化但电视剧集式的中短片体量内容拍成长片属实有点勉强本来就很简单的符号(私人生活的失去家庭角色的承担无限循环自掘坟墓)拖长后失去力度与回味主角的困境无需变成观众的困境美学来源:勒内马格里特的 L'Empire des lumières;其他灵感来源:托德海因斯《优质J液收集系统》敕使河原宏《妈妈的朋友》杰夫墨菲《机灵小不懂高清》
The ball finally fell back, but he didn't lose, he won, with a little luck, as an excellent tennis player. This ending fantastically denied the statement at the beginning of the movie. Shit, I am fooled by WA again.